A1: An OK High for Profit
A2: Aerated Cargo
A3: Reaching Necks Cutting Us All Off
B1: Amnesty Dial
B2: In Eden I Spent My Time in Hard Labour Drafting Shameful Inventories
B3: Catataxis
Documented during peak isolation times in Los Angeles, between December 2020 and January 2021. These pieces were performed as Live AV pieces from 2017-2019, at Coaxial Arts, Zebulon and Desert Daze 2019, but not documented in a release until later. Signal processing and sequencing frameworks built in Max 8 with signals generated from Prophet ’08, a broken AW16G, 0-coast, Max, and a MC-909. With the context of the electromagnetic medium, the absence of live performance and moving visuals and the new "spirit" of the pestilent times, “Cutting Them All Off” should barely be represented as reworks of the originally performed pieces. What was once pulsing and blasting out of PA speakers live is now referenced as a distant past document. These pieces (for better or for worse) have been removed and cut-off from their contextual source and can only be presented in their displaced/liberated state. Like a fish out of water gasping for air, or the only drunk survivor of a car crash that was his fault.
Christopher Reid Martin started Rotary ECT in 2016. The project focuses on highly active signal processes on synchronized Audio -> Visual signals, with many signals being constructed to self-generate. Much like a rotary machine’s rotation, the process is consistent and signalled when turned on. Much like electroconvulsive therapy, a human need to be there to actively monitor and attend to the process and generation of the signals being emitted.
Christopher currently works for Cycling ’74, is a curatorial / programmer at Coaxial Arts Foundation and ⅓ of curators (alongside J.Prey and J. Rivera) behind the ephemeral stream Cathode TV/Cathode Cinema. Christopher continues to show gallery works, both virtual and physical, digital and video works and performs in other numerous events and projects such as Bailouts, CGRSM (with Gabie Strong), Shelter Death, Gate (with Michael Morley) and Via Injection. He has performed and collaborated with artists Joseph Hammer, Bryce Loy (RIP), Tetuzi Akiyama, Christopher Thompson, James Roemer, Andrew Scott, Gabie Strong, Michael Morley, Lev Abramov and many others.
credits
released June 11, 2021
All tracks, mastering and cover art by Christopher Reid Martin.
supported by 5 fans who also own “Cutting Them All Off”
I love it that I have to work myself through all thse layers of sounds and noises to get to the music - and of couse, these ARE the music. Listening to Philip Jeck's albums is challenging and at the same time utterly touching. And this fine collaboration is no exception. Sven
Istanbul sound artist and industrial designer Kunsf transforms everyday objects into granular synthesis on this contemplative new LP. Bandcamp New & Notable Mar 8, 2022
A perfectly matched cassette split between Yves Malone's beat-driven atmospheric synths and Grapefruit's burbling hearts of space. Bandcamp New & Notable Nov 29, 2017
Lebanese multi-instrumentalist deconstructs classical tropes through an eccentric array of instruments, including disassembled toy pianos. Bandcamp New & Notable Sep 22, 2022
supported by 4 fans who also own “Cutting Them All Off”
Listening to this album is like diving in a sea of sound. Sometimes familiar sounds are surfacing. Deep listening to releases of this label is a form of Meditation. Every release is a world of its own ready to be discovered. And every time you visit, there will be something new to find in these deep waters. Retro Tape